Spitting Lyrics

Month

March 2012

22 posts

Review: Google Play Books app for iPad

As everyone probably knows (or has seen the little ‘Play NEW’ button on the navigation bar) Google has morphed Apps, Books and Films all into one entertainment hub named Google Play.

This is great for Android users who can purchase, download and access content from Google Play at will. But what about non-Android users - in particular, those that have an infinity for the ‘bad Apple?’ 

A new Play Books app for iOS5 was released and I had a play around with it.

Firstly, there’s no dedicated store built-in to purchase or download books (which isn’t too surprising, seen as though Apple and Google can’t stand each other). What you have is a only a ‘book shelf’ that keeps your books that you have purchased online. 

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You log in using your Google login details and it takes you to your ‘shelf’ which contains the books you previously downloaded. It syncs wirelessly over the cloud, so you can pick up reading from where you left off.

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It works in both portrait and landscape and has a very similar look and feel to books read through Apple’s iBooks app.  

Chapters are listed in a drop-down box and can also be found sliding across the scroll bar at the bottom.

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The settings include the ability to switch the page to Night View, change the text size and also the font. Line height can also be altered to suit your preference.

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3D Page turns enables you to either switch on or off the infamous page turn animation. Switching it off will just slide the pages horizontally, similar to when you read PDF’s. 

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A really cool feature is Scanned Pages. Turning this changes the pages into original scanned prints of the actual book. It really does take you back when you experience it and I’m sure it’s a feature that will be appreciated by many.

That being said, there are many features missing.

The ability to bookmark a page, add notes or even highlight a passage are surprisingly absent. Especially, as these are features that everyone is so accustomed to now.

Lack of a built-in store to purchase books is a glaring omission. We don’t know if that is Apple’s doing or not, but I reckon users will think twice before downloading the app because of it. 

The app is good if you purchase a lot of books from Google and want better your reading experience. The ability to sync over the cloud is always useful and hopefully with more updates, these missing features can be implemented.

You can download the free app from iTunes here.

Mar 29, 20125 notes
#google #play #books #ipad #ios5 #android #features #ibooks #review #tech #social #apps #tablet #chrome #web #news #apple #itunes
Mar 27, 2012235 notes
#nelson #mandela #archives #history #news #social #politics #aparthied #south africa #black #rights #robben #island
Mar 27, 20122 notes
#ceo #books #reading #collection #favourite #news #social
Play
Mar 22, 20121 note
#tehc #sony #xperia #wes #anderson #commercial #mobile #phone
Adidas unveil Team GB kit for London 2012 Olympics

The official Team GB outfits have been unveiled in a special launch at the Tower of London.

Designed by Stella McCartney and made by suppliers Adidas pictures of the new kits were first revealed on the Team GB Facebook page which has already began causing some strong reaction.

A worrying lack of red from the Union Jack appears to be the main gripe for most people, while some just say a lack of red makes it look less ‘balanced.’

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Gold medal cyclist Chris Hoy: “The kit looks fantastic and a bit of a twist to have the union flag incorporated in it but not in an obvious way. I think it’s really classy… and one I think we will all enjoy wearing.”

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Athlete Jessica Ennis

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Athlete Phillips Idowu: ”All eyes will be watching London 2012 so every little detail matters. I love what Stella has done with the design. Looking good is psychologically important but my sprint suit is also technically advanced, so not only do I look good but I also have confidence in the technology in the kit.”

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Andy Murray will be swapping white for blue this summer at the All England Club.

Talking at the Tower of London event, designer Stella McCartney shared her thoughts on the project: “The first place to start on a project like this is to look at the Union flag. For me it’s one of the most beautiful flags in the world and it was important for me to stay true to that iconic design but also to modernise it and present it in a contemporary way. Ultimately, we wanted the athletes to feel like a team and be proud with the identity we created.”

Mar 22, 20121 note
#adidas #team gb #olympics #london #2012 #stella #mccartney #football #tennis #basketball #athletics #cycling #jessica #ennis #murray #idowu #armstrong #sullivan #sport #news
Guardian launches app for Google TV

The Guardian have launched a television app for the US market - providing a new outlet to view the latest videos, headlines and photo galleries on a TV.

The app will work on Google TV with a long-term plan to have the app on other Smart TV’s in the near future.

With the rise of multimedia growth and social media, the idea behind the app is to open up journalism to a global audience through digital media. 

“After five years of multimedia growth and winning awards, including an Emmy, Guardian video will be able to be consumed at leisure on some televisions.” 

The app currently in Beta, realeases today.

Mar 21, 2012
#google #tv #guardian #app #news #social
Reaction: The Mohammed Amir Interview by Michael Atherton

Mohammed Amir has given his first interview since being jailed for his part in the spot-fixing cricketing scandal in 2010.

He spoke to Sky Sports’ Michael Atherton yesterday, whose column this morning for The Times generated a lot of reaction.

I used Storify to curate comments posted on social media sites, to gather the reaction of the interview

You can check it out here.

Mar 20, 2012
#storify #cricket #sport #social #spot fixing #mohammed #amir #michael #atherton #times #notw #corruption #pakistan #salman #butt #mazhar #majeed #bookie
The economics of online readership

In January, the New York Times lost its top spot in comScore’s ranking of the world’s biggest newspaper websites to Britain’s Daily Mail.

The Times sniffed at the accuracy of comScore’s figures, which exaggerate the Mail’s online audience by including a personal-finance site that the paper owns. But the battle to be biggest reflects a growing phenomenon: national news publications going global.

A mere one-quarter of the Mail’s online readers are in Britain. The Guardian, which caters to those who like their news left-leaning and serious in contrast to the Mail’s right-wing raciness, has one-third in Britain and another third in America (see charts). Their chief competitors are two American publications: the New York Times, which like the Guardian aims at readers of serious news, and the Huffington Post, which since its launch in 2005 has become the biggest site of the four (it is not in comScore’s “newspaper” category).

That the HuffPo is beating papers with a history stretching back to the 19th century is a sign of just how differently news works online. The HuffPo is designed for the wired generation’s short attention spans and addiction to social media; alone of the four, it has managed recently to increase its “stickiness”, the number of stories each visitor reads. And it mixes both hard and frothy news (much of it rewritten from other sources, though an increasing amount is original) with generous dollops of opinion by guest bloggers.

This has proved an especially potent formula in America, where the big papers tend to be somewhat po-faced. That is because their dominance in their home cities inclined them towards a neutral stance, to attract the widest possible readerships there, whereas the big British papers, having developed as national outlets, used political leanings to distinguish themselves in a competitive market. Hence, also, the success of the Guardian and the Mail in America. As the Fox News channel discovered earlier, a lot of Americans like their news sources to have a political slant.

The HuffPo and Times are less global than their British rivals, with three-quarters and two-thirds of their readers, respectively, in America. But those proportions, too, are edging downwards.

Global news outlets are of course nothing new: the BBC, CNN and Al-Jazeera, as well as the Financial Times, the Wall Street Journal and indeed The Economist, have long aimed at a worldwide audience, and newswires like Reuters and Bloomberg have big, free online offerings. But in future, argues Ken Doctor, a media analyst at Outsell, a consultancy, there will be fewer national news outlets online. More will either look for new ways to make money from a small local audience, or try to get as big a global one as possible.

The reason is the grim economics of online news. Only a few, business-oriented newspapers are making money by charging readers for access. For most papers, what they publish is too similar to what people can get free elsewhere. Advertising, the other chief source of revenue, is worth far less per reader online than in print. So their best bet for making money is to pull in more readers for the same content.

Cultivating foreign advertisers takes time, however. “We always had a large US audience,” says James Bromley, the managing director of the Mail online, “which people used to point to as a weakness because we couldn’t monetise them.” But, he adds, “the marginal cost of the [extra] audience is basically zero, so any ads were a profit.” TheGuardian’s ads, too, earn less per reader in the United States than on similar American sites, says Andrew Miller, the chief executive of Guardian Media Group. But they still help the bottom line.

Unfortunately, even a big jump in online advertising will not make up for the decline of print: newspapers’ websites account for a relatively small share of total revenue (about one-fifth for the Guardian, just 2.6% for the Mail). At this stage, it is all about capturing audience. The Mail now has about 30 staff in the United States to create stories for its American readers; the Guardian also has 30 in a new bureau in New York, and has experimented with translation, posting some of its Arab-spring coverage in Arabic. Neither seems to think of itself as essentially British any more, at least online. Of theMail, Mr Bromley says, “Our audiences in the UK and US are more similar to one another than to their neighbours in either place.”

A global strategy that makes obvious sense for papers in English also has potential in other global languages. Spain’s El Mundo lags considerably behind El País in print circulation, but is ahead of it online: 42% of its readers are overseas, and though it sells no print copies in Latin America it is among the top two or three news sites in every Spanish-speaking country there, says its deputy editor, Ignacio Gil. Marca, a sports paper owned by the same company, has a similar reach.

Newsgathering on the cheap

Expanding abroad is harder for American publications than for British ones, because most English-speaking markets outside America are relatively small and fragmented. That said, the New York Times has done little recently to appeal to readers overseas other than creating an international version of its home-page that gives foreign news more prominence. With its 25 foreign bureaus it has always thought of itself as a global newspaper, says a spokeswoman; its bet is that solid, authoritative reporting will win the day. Even if it wanted to, however, the debt-laden paper can ill afford to increase its already large editorial staff.

By contrast, the much leaner HuffPo can afford to create a network of overseas clones. Since last July it has opened offices and websites in Britain, Canada (in both English and French) and France; it is launching in Italy and Spain this spring; and it is in talks with possible partners in Germany, Greece, Brazil and Japan.

How well the HuffPo model will travel is not yet clear. It owes its success in America not just to its tone but also to its knack for getting readers to contribute lots of unpaid blog posts and comments—hence its low costs. The HuffPo’s British version has a decent if hardly stellar 4.1m monthly unique visitors; but there it competes directly with the Guardian, which serves a similar audience and runs a popular “Comment is Free” blogging platform. (The HuffPo claims to be politically neutral but most of its contributors, like its founder, Arianna Huffington, lean left.)

In much of Europe, blogging is less developed. Le Huffington Post, which launched in France in January, will “open a space for debate” currently limited chiefly to the op-ed pages of newspapers, says its director, Anne Sinclair. And whereas American newspaper editors lashed out at the HuffPo for stealing their stories and poaching their readers (though by linking to their stories it arguably adds to their traffic), their European counterparts think it can teach them new tricks: it has teamed up with Le Monde in France, La Repubblica and L’Espresso in Italy and El País in Spain, bringing them social-media know-how in return for access to their readers. “It’s better to be with them than watching from the outside,” says Louis Dreyfus, chief executive of Le Monde Group.

What is at stake for all four of these news giants, however, is very different. The Mail’s print circulation of 2m is second only to that of the tabloid The Sun in Britain and is falling more slowly than that of most other papers. It also remains decently profitable. The Guardian and New York Times are losing readers faster, their heavyweight journalism costs more, and although their holding companies recently posted profits, revenues have been falling alarmingly. Both are hoping to increase digital revenues sharply through their tablet and smartphone apps, where readers must pay for news (the Times now charges on its website too; the Guardian does not plan to). Even so, in the medium term they may not be able to sustain their big newsrooms, making it harder to do the journalism that distinguishes them.

Of the four, the HuffPro is the only one unencumbered by old-media technology, staff and institutional baggage. But it has picked up baggage of a different sort since being bought by AOL a year ago. With the dial-up internet-access service on which it was founded shrinking fast, AOL has been trying to build up a display-advertising business by buying lots of websites. This has not gone well. Starboard Value, an investment firm with a stake in AOL, recently estimated that the display-ads business lost the company $500m last year.

Mrs Huffington, now in charge of all AOL’s editorial properties, has poured resources into expanding her own creation. As well as the international sites she has launched dozens of subject-specific ones on everything from the environment to weddings. This spring there will be an online television station, featuring continuous studio chat and relying heavily, in true HuffPo style, on viewer contributions.

AOL seems to have given her great leeway, prompting internal grumbles about her empire-building and doubts about how well she and her team can handle such explosive growth. Though the HuffPo was profitable before being bought, its revenue is still a fraction of AOL’s total. As a digital native it is better adapted than its three main newspaper rivals to the online environment—but having the most troubled owner may not do it any favours.

Mar 18, 2012
#economics #readership #news
Mar 18, 201257 notes
#ides #march #movie #film #posters #images
The New iPad 4G and UK networks: What you need to know...

Announced last week, Apple’s new iPad goes on sale in the UK on 16 March. It comes with two wireless options: just Wi-Fi, or Wi-Fi+3G. Except in the US, the latter is sold as Wi-Fi+4G, which has caused a number of people in the UK to ask:

“What is 4G, how is it different to 3G, and will 4G work in Britain?”

The guys at Wired have decided to answer the most common iPad questions and explain the technology. 

A BITESIZE GUIDE TO THE NEW IPAD AND 4G IN THE UK

Does the new iPad’s 4G work in the UK?
No. 4G is a faster type of wireless internet than 3G and will not work on current UK networks.

Does its use 3G instead?
Yes. The new iPad supports speeds up to 42Mbps — that’s faster than what some people call 4G elsewhere in the world.

If I buy the new iPad in the UK with 3G, will the 4G stuff work in the US?
Yes, if you buy an AT&T or Verizon 4G contract.

Why doesn’t 4G work in the UK?
We use different radio frequencies, so they’re not compatible.

Will that always be the case?
Yes, for this iPad, but the UK networks will start rolling out 4G next year.

Is that all I need to know?
Probably. But if not, read on…

A DETAILED GUIDE TO THE NEW IPAD AND 4G IN THE UK

What is 4G?
In a nutshell, 4G is an umbrella term for the next generation of mobile internet services. At the moment we have 3G, and in the UK that’s based on GSM technologies. Almost all of Europe uses the same system, which is why you can take most phones around the continent and easily roam onto another carrier’s network.

But there are different “bands” of GSM (remember asking if a phone was dual-band, tri-band or quad-band?). A band is a specific radio frequency, meaning your phone needs to be able to “tune in” to a number of different frequencies in order to work in any country that used the GSM phone standard.

4G is “3G on steroids”
There is a lot of debate over what speeds count as 4G, over what type of 4G standard should be adopted globally, and over which bands (again, meaning frequencies) each 4G-supporting country should use.

But it gets even more complicated: 4G is not a standard, it’s an umbrella term. In most conversations, 4G is used to describe LTE (Long Term Evolution), which is based on the same underlying technology as most current 3G networks, which is why it’s so attractive to existing mobile network operators, such as O2, Vodafone and Three. Potential speeds are significantly higher than current 3G speeds, meaning webpages and movies download faster. In fact, US carrier AT&T — which supports the new iPad’s 4G technology — quotes its LTE speeds being “up to 10 times faster” than 3G.

There are six LTE bands globally, and currently the US specifically supports two of them. Europe supports three, but none of them include the two the US uses. In short, that means European 4G products likely won’t work in the US at the moment, and similarly US 4G products — such as the new iPad — won’t work on current 4G networks in Europe.

It’s significant that Apple has adopted LTE because LTE has arguably become the favourite in the race to standardise a 4G system. That Apple has chosen it over WiMax, LTE’s main rival, is undoubtedly a kick in the teeth for LTE’s detractors because Apple has some power over the networks. When Steve Jobs wanted to use a new, tiny Micro SIM card instead of the regular-sized SIM cards that carriers and phone manufacturers had used for years, the networks bent over and adopted the new system immediately. We may well now see the same with LTE.

So, can’t the UK networks just turn on support for LTE like they did for the Micro SIM?
No, not easily, and certainly not quickly. Radio spectrum is split up and sold across each country by their governments for different purposes: digital TV, mobile phones, commercial radio, military use, and so forth. Countries use different frequencies for different purposes. Our local mobile phone networks physically don’t have access to the same frequency bands that the new iPad uses in the US.

So the UK is just behind the US? Will that change?
We asked several UK networks — Three, O2, Everything Everywhere (that’s Orange and T-Mobile) and Vodafone — what their plans for UK LTE is, and by association the new iPad. The collective bottom line: “It’s coming, but not in time for this iPad.”

Asked separately, all of the UK’s networks painted an interesting picture about the overall state of LTE in the UK. “The new iPad…in its current format will not work on the European LTE bands 800, 1,800 and 2,600 MHz,” began O2.

However, “Three will be running an LTE trial on the 2,600 MHz bandwidth in the next couple of months,” a spokesperson for Three explained, “in preparation for a national roll out of this technology when the spectrum becomes available.”

Everything Everywhere also referred to spectrum restrictions: “Subject to [licensing], Everything Everywhere will be in a position to roll out a 4G LTE network in the UK by the end of this year for Orange and T-Mobile customers, albeit not for this iPad, [because it] only works on the 700MHz and 2,100 Mhz spectrum bands.”

Guy Laurence, Vodafone UK’s CEO told Wired.co.uk: “We have run three trials of the technology in the UK over the last three years and have had a live demonstration running on campus for the past year.” He added: “We are very well placed for LTE when the spectrum is made available.”

O2 also commented on its own LTE trials, saying: “We’re doing this to experiment with the next generation of mobile networks, so that when the 4G mobile spectrum becomes available, O2 is ready to hit the ground running.”

3G is still very, very fast in the UK
All this talk of plans, trials and eventual rollouts may make it seem like the UK’s experience with the new iPad will, in short, be sub-par. But that’s really not the case. The new iPad supports the fastest 3G and 3.5G networks used anywhere in the world, which means it can technically offer downlink speeds of up to 42Mbps. Our UK networks are ready to take advantage of this.

“Our roll out of HSPA+ 21Mbps technology is already very advanced, and we are finalising our plans now to bring dual carrier HSPA+ technology running at the 42Mbps technical standard to the UK later this summer,” a Three spokesperson told us.

Vodafone said similar of its current network: “Major cities [are] covered by theoretical speeds of up to 28.8Mbps and major towns and cities covered by theoretical speeds of up to 21.Mbps network.”

An O2 spokesperson also commented, “O2’s UK HSPA+ network currently provides high-speed data services to over 84 percent of the UK population at speeds of up to 14.4Mbps and 21Mbps in major cities.”

So I shouldn’t be too bummed out that I can’t get 4G?
Nope. Apple has opted to use 4G terminology for the new iPad, and that’s certainly fair. But for the UK, we’re still getting real-world speeds on par with what is termed 4G elsewhere in the world. So don’t worry, your new iPad will be fast in the UK, and the networks seem hell bent on making sure of that.

What if I buy the new iPad with 3G in the UK? Will it work in the US?
It will. You will need to put an AT&T or Verizon SIM card in the device, which naturally comes with its own costs. But on a technical level, the iPad itself will function as if it was bought in the US originally.

Mar 15, 2012
#wired #new ipad #ipad #apple #device #4G #3G #networks #verizon #at&t #o2 #orange #vodafone #news
Mar 14, 201238 notes
#infographic #inception #dream
The dead-simple design philosophy of Pinterest designer Sahil Lavingia

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“Designers, designers, designers” has become the new “developers, developers, developers.” Witness the ever-growing list of job postings for product designers, UI designers, user research designers, UX designers. They’re posted faster than I can read them. Someone needs a “senior design champion” (versus a normal design champion?), while another is looking for a “catalyst of creativity.” Designers are becoming the new hotness, just as front-end engineers blew up job boards when businesses started taking the web seriously. We need a designer. You need a designer. We all need designers.

I agree, we all need designers. But I’d argue that we already have them. They’re us: you and me. Design shouldn’t be designated a specific function or industry. The discipline is just as fundamental as technology and profit are to a business that it doesn’t need to be isolated to a single role. It should be considered part of every role.

Design is shrinking the gap between what a product does and why it exists. Designing is not just about picking the right font or gradient. Stop thinking about design in terms of wire frames or visual style; it is about the product as a whole. Designing is figuring out the purpose of your product and how you orient everything else around it. And that means that everyone within a company plays a role in the design process. And thatmeans that everyone in a company needs to learn design literacy. It’s a hard task. Everyone tells their MBA-wielding friends that they should learn to code: “Anyone can do it,” or “It’s going to be the new literacy.” People think code is the basis of a working product. But what about design? How often are people told that they should “learn to design”? 

While everyone involved should know how design works, they should also understand that it can be practiced on anything you make. The design instinct, above all, is about viewing the world around you as a place filled with opportunities to add more thoughtfulness and care. Thus, your organization deserves to be just as well-designed as your homepage, and your company’s tweets as crafted as your account confirmation emails.

Which is to say that design should be considered a facet of everything you do, as well as a means of improving your business. Imagine if your site were to slow down. What would you do? You’d try to make it faster, or find an engineer that could. You’d make a conscious design decision to make your site quicker to use, because you understand that doing so will make your offerings more accessible and user-friendly. Apply that principle of improvement to everything else.

At Pinterest, we required every new account to be set up and connected with either Facebook or Twitter. We made a concerted design decision to do so. We know that Twitter and Facebook can do something that we can’t do as well, and we realize that our focus on what we are good at is just as important. Now, we don’t have to worry about a traditional sign-up process or a user ever starting with zero friends. It allows us to spend more of our time and mind-share on our own (unique!) design problems and solutions.

Good design is using reason to make decisions and to solve problems. Every man-made object you use in real life is designed, from forks and desks to keyboards and grocery bags and are the culminations of many hours of thinking and many more hours of trial and error. Why does a board on Pinterest look the way it does? Because other people determined what a pin board should look like and what it is used for, what ‘to pin’ means, and what it implies. Good design means building on earlier ideas, just as in math or physics.

Figure out your product’s purpose, and keep designing and re-designing it. Shrink the gap between what it does and why it exists, and don’t stop until the gap disappears. As the founder of 37Signals Jason Fried has said, “The design is done when the problem goes away.”

Sahil Lavingnia

Mar 13, 20121 note
#Pinterest #social #news #interview #design
Interview with the iMan: Apple designer Jony Ive

As Apple’s senior vice-president of industrial design, he is the driving force behind the firm’s products, from the Mac computer to the iPod, iPhone and, most recently, the iPad. He spoke exclusively to the Evening Standard from the firm’s headquarters.

Q: You recently received a knighthood for services to design.Was that a proud moment?

A: I was absolutely thrilled and at the same time completely humbled. I am very aware that I’m the product of growing up in England and the tradition of designing and making, of Britain being the first to industrialise. The emphasis and value on ideas and original thinking is an innate part of British culture and, in many ways, that describes the traditions of design.

Q: Is London still an important city for design?

A: I left London in 1992 but I’m there three or four times a year and love visiting. It’s a very important city  and makes a significant contribution to design, to creating something new.

Q: How does London differ from Silicon Valley?

A: The proximity of different creative industries and London is remarkable. I think that has led to a very different feel to Silicon Valley.

Q: What makes design different at Apple?

A: We struggle with the right words to describe the design process at Apple  but it is very much about designing and prototyping and making. When you separate those, I think the final result suffers. If something is going to be better, it is new, and if it’s new you are confronting problems and challenges you don’t have references for. To solve and address those requires a remarkable focus. There’s a sense of being inquisitive and optimistic, and you don’t see those in combination very often.

Q: How does a new product come about at Apple?

A: What I love about the creative process, and this may sound naive, is this idea that one day there is no idea, and no solution, but then the next day there is an idea. Where you see the most dramatic shift is when you transition from an abstract idea to a slightly more material conversation. But when you make a 3D model, however crude, you bring form to a nebulous idea and everything changes — the entire process shifts. It galvanises and brings focus from a broad group of people. It’s a remarkable process.

Q: What are your goals when setting out to build a new product?

A: Our goals are very simple — to design and make better products. If we can’t make something that is better, we won’t do it.

Q: Why has Apple’s competition struggled to do that?

A: Most of our competitors are interested in doing something different, or want to appear new — I think those are completely the wrong goals. A product has to be genuinely better. This requires real discipline, and that’s what drives us — a sincere, genuine appetite to do something that is better.

Q: When did you first become aware of the importance of designers?

A: It was when I first used a Mac — I’d gone through college in the Eighties using a computer and had a horrid experience. Then I discovered the Mac. It was such a dramatic moment and I remember it so clearly — there was a real sense of the people who made it.

Q: When you are coming up with product ideas such as the iPod, do you try to solve a problem?

A: There are different approaches — sometimes things can irritate you so you become aware of a problem, which is a very pragmatic approach and the least challenging. What is more difficult is when you are intrigued by an opportunity. That,

I think, really exercises the skills of a designer. It’s not a problem you’re aware of, nobody has articulated a need. But you start asking questions: what if we do this, combine it with that, would that be useful? This creates opportunities that could replace entire categories of device rather than tactically responding to an individual problem. That’s the real challenge and very exciting.

Q: Has that led to new products within Apple?

A: Examples are products such as the iPhone, iPod and iPad. That fanatical attention to detail and coming across a problem and being determined to solve it is critically important — that defines day-by-day experience.

Q: How do you know you’ve succeeded?

A: One of the things that really irritates me in products is when I’m aware of designers wagging their tails in my face. Our goal is to create simple objects, objects that you can’t imagine any other way. Get it right and you become closer and more focused on the object. For instance, the iPhoto app we created for the new iPad completely consumes you and you forget you are using an iPad.

Q: Do consumers really care about good design?

A: Consumers are incredibly discerning, they sense where there has been great care in the design, and when there is cynicism and greed. We’ve found that really encouraging.

Q: Users have become obsessively attached to Apple products. Why?

A: When I used a Mac I had a keen awareness of the values of those who made it. I think people’s emotional connection to our product is that they sense our care, and the amount of work that has gone into creating it.

Mar 13, 2012
#news #inteview #tech #apple
Mar 13, 201211,275 notes
#writing #tips
Mar 12, 2012391 notes
#kony #images #infographic #social #news
Mar 10, 20126,208 notes
#images #quotes
Play
Mar 9, 2012
#nike #football #sport #news
Mar 7, 201225 notes
#apple #news #tech #social
Mar 7, 201244 notes
#stopkony #kony #kony2012 #war #invisible #children #news #social
Introducing: Google Play

    

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Google has announced it will be replacing the Android market place, Google Musc and eBookstore with one combined entertainment service called Google Play.

In a bid to rival Apple and Amazon, the guys at Google have gone all out to unify it’s services which will allow users to buy movies, music, books and apps in one place; not only that, everything you do buy is stored in the cloud, meaning you can switch devices without ever having to sync anything or losing your place in the middle of a movie or novel.

       

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With Google Play you can:

  • Store up to 20,000 songs for free and buy millions of new tracks
  • Download more than 450,000 Android apps and games
  • Browse the world’s largest selection of eBooks
  • Rent thousands of your favorite movies, including new releases and HD title

Whether this will really take off remains to be seen, as Google has often been criticised for fragmenting its new products and releases. The other problem facing Google is that there are already viable alternatives to many of the services offered by Google Play.

While iTunes and Spotify dominate online music, they have succesfully developed relationships with major record labels and in doing so, have the majority market share. Google has only managed to convince two major labels to play ball for it’s Google Music service, therefore a lack of content could be it’s downfall.

Similarly with books and movies: iTunes and Netflix already has a huge head start in the online movie rentals and Amazon’s Kindle Store is still the most popular place to buy e-books online. 

       

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However there some real positives for Google that this could really take off…

Already boasting more than 450,000 different apps on it’s Android store, Google has a flexibility that Apple and Amazon don’t have.

Apple is locked into its own devices and is notoriously strict on content approval. Amazon, on the other hand has plenty of content, but doesn’t have the search access nor visibility of Google content.

Google excels in usability and synchronisation of it’s content. Purchase something once and you’ll instantly have it on all of your devices. If Google can boost its music catalog and release a popular tablet, it might have a winner on its hands.

Mar 6, 20121 note
#google #play #android #news #tech #social #apps #books #music #Intr
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